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"This novel breaks brilliant. It's hard to tell what's the best part of The Killing Lessons: the sweaty-palm plot that races along like a squadcar on a high-speed pursuit, the breathtaking depictions of the characters, good and bad, or author Black's inimitable style. My vote? All three." -Jeffery Deaver, New York Times bestselling author of The Skin Collector and Solitude Creek
In their isolated country house, a mother and her two children prepare to wait out a blinding snowstorm. Two violent predators walk through the door. Nothing will ever be the same.
When the two strangers turn up at Rowena Cooper's isolated Colorado farmhouse, she knows instantly that it's the end of everything. For the two haunted and driven men, on the other hand, it's just another stop on a long and bloody journey. And they still have many miles to go, and victims to sacrifice, before their work is done.
For San Francisco homicide detective Valerie Hart, their trail of victims-women abducted, tortured and left with a seemingly random series of objects inside them-has brought her from obsession to the edge of physical and psychological destruction. And she's losing hope of making a breakthrough before that happens.
But the murders at the Cooper farmhouse didn't quite go according to plan. There was a survivor, Rowena's ten-year-old daughter Nell, who now holds the key to the killings. Injured, half-frozen, terrified, Nell has only one place to go. And that place could be even more dangerous than what she's running from.
In this extraordinary, pulse-pounding debut, Saul Black takes us deep into the mind of a psychopath, and into the troubled heart of the woman determined to stop him.
- Sales Rank: #58260 in Books
- Published on: 2015-09-22
- Released on: 2015-09-22
- Original language: English
- Number of items: 1
- Dimensions: 9.40" h x 1.35" w x 6.47" l, 1.00 pounds
- Binding: Hardcover
- 400 pages
Review
“Shockingly good writing…It’s impossible not to be swept away by its propulsive momentum. The appeal of this dark and intensely disquieting book isn’t entirely visceral either. By shifting the narrative point of view, Black allows us to peer into the depths of his many richly developed characters, from the surprisingly complex killers and their dedicated hunters to the supporting players who pop up only to be ruthlessly disposed of.” ―The New York Times Book Review
“Compelling . . . graphic and disturbing. Black utilizes the psychological edge of his characters to elevate the story.” ―Associated Press
“The troubled, vulnerable Valerie is a strong and believable character, and she and her colleagues amount to an unusually admiring portrait of police work… Black squeezes every last ounce of suspense out of this story. One violent climax follows another…The Killing Lessons is state of the art in the ever-darkening serial-killer genre.” ―The Washington Post
“For nine months The Girl on the Train has been lauded as the best thriller of 2015, but it has some real competition with the arrival of The Killing Lessons. . . . Violent but never gratuitous, Duncan’s first crack at a thriller is a master class in suspense. Phrases like “page-turner” and “it kept me up all night!” get thrown around a lot in the book business, but The Killing Lessons is hands-down the most compelling, addictive novel I’ve read this year.” ―Bookpage
“At the start of this exceptional police thriller, two armed men show up at an isolated farmhouse outside Ellinson, Colo., with fatal results for the Cooper family. . . . Readers will hope [Valerie] returns soon in another nail-biter.” ―Publishers Weekly (starred)
“All of the serial-killer staples are accounted for: self-destructing detective, slippery killer, and sympathetic future victims. But Black, a pseudonym for acclaimed dark-fantasy author Glen Duncan (The Last Werewolf, 2011), twists the formula with a killer who defies the coldly calculating criminal mastermind archetype, an unblinking willingness to off characters he's convinced readers to like, and a hokum-free thread of reawakening lost souls. [A] must-read for those who like their psychological thrillers raw.” ―Booklist (starred)
“A taut, smart thriller guaranteed to keep readers on the edge of their seats. Not to be missed.” ―Library Journal (starred)
“Ending the rampage of two sadistic serial killers may depend on a substance-abusing homicide detective facing an old lover and an unknown nemesis in this raw and utterly readable thriller. . . . [Black] cooks up mayhem among mortals, creating a duo from Of Mice and Men by way of Thomas Harris without the fava beans.” ―Kirkus Reviews (starred)
“Unbelievably good...this one has it all.” ―Lee Child, New York Times bestselling author of Personal
“The Killing Lessons is a dark, twisted, and deeply compelling read. Saul Black perfectly inhabits each of his characters, even the most deranged among them, and weaves a breathless thriller that is as beautiful as it is terrifying.” ―Lisa Unger, New York Times bestselling author of Crazy Love You
“This novel breaks brilliant. It's hard to tell what's the best part of The Killing Lessons: the sweaty-palm plot that races along like a squadcar on a high-speed pursuit, the breathtaking depictions of the characters, good and bad, or author Black's inimitable style. My vote? All three.” ―Jeffery Deaver, New York Times bestselling author of The Skin Collector and Solitude Creek
“Completely mesmerizing! Black delivers a powerhouse of a thriller: two terrifying villains versus one damaged cop with numerous lives in the balance. Not to be missed.” ―Lisa Gardner, New York Times bestselling author of Fear Nothing
“Do not read this. No reader deserves to be terrified like this.” ―Linwood Barclay, New York Times bestselling author of Never Look Away and No Time for Goodbye
“If you want to ruin a perfectly good weekend with a gut-wrenching, spine-tingling, deeply disturbing, edge-of-the-seat-thrilling crime novel, The Killing Lessons is your ticket. Beware.” ―Chris Pavone, New York Times bestselling author of The Expats and The Accident
“The Killing Lessons is the best thriller I've read in years. It's so realistic at times that I had to stop and catch my breath. The relationship between these two killers, and the woman who is trying to capture them, is intense and tangible. This is the first book that I've finished, then turned immediately back to page one so I could experience it all over again. It's mind-blowing, terrifying, visceral, disturbing, and gorgeously written and I've been telling everyone I know that they have to pick up this book!” ―Chevy Stevens, New York Times bestselling author of That Night
About the Author
Saul Black is a pseudonym for Glen Duncan, the author of By Blood We Live, I, Lucifer, and many other books. He was chosen by both Arena and The Times Literary Supplement (London) as one of Britain's best young novelists. He lives in London.
Most helpful customer reviews
22 of 23 people found the following review helpful.
The Killing Lessons
By S Riaz
"The world was full of women not noticing the men who were noticing them."
Sometimes you just want to read a really fast paced thriller, full of suspense and edge of your seat excitement and this ticks every box. It begins with Rowena Cooper, a widowed mother of two children, who curses her stupidity in feeling safe in her remote house, when two men walk – rather than break – in. and her nightmare begins…
The two men have been murdering women throughout the country and homicide detective, Valerie Hart, is the officer in charge of an investigation which goes back over three years and has haunted her for the past seven months. Now she is working with Special Agent Carla York, but Valerie cannot help feel that Carla is not completely on her side. Drinking too much and depressed by a love affair which fell apart some time ago, Valerie is an intelligent and driven officer. However, her team are just fishing in the dark and nothing seems to result in any leads. Poring over evidence night after night, Valerie knows that a break can only come with more victims and the past victims are always there, haunting her thoughts.
What follows involves a serial killer haunted by his own demons, a woman held prisoner, a detective who is under attack and a child who knows who the killer looks like. This novel keeps up the pace all the way through, with fascinating, flawed characters, unlikely heroes and some extremely creepy scenes. I really hope that this book has a sequel, as I will surely be reading on if it has. Highly recommended for anyone who enjoys intelligent, well written thrillers. Lastly, I received a copy of this book from the publishers, via NetGalley, for review.
45 of 52 people found the following review helpful.
The same morbid fascination as a multi-car wreck
By Trudie Barreras
Well, it was my own fault that I ended up enmeshed in this book. I didn’t HAVE to choose to read it, although it was one of the few viable options on my Vine “queue” at that point. Once I started, of course, it held the same morbid fascination as a multi-car wreck on the highway.
It’s too bad there isn’t a dual rating system available, like they use for various sports competitions – one set of points for technical quality and one for enjoyment of the presentation. Saul Black’s “The Killing Lessons” is pure horror from start to finish, and there is way too much “collateral damage” – but simultaneously, there is exquisite description and deeply appealing characterization. Of course I know that the gruesome happens, and that normally sensitive human beings in law enforcement fields have to deal with the unthinkable and indescribable, and in the process become victims of PTSD. It’s just that in general I’ve chosen to avoid the grimmest of the “thriller” type of narrative where all this is played out in gory detail.
Anyway, this book is not for the faint of heart; but it IS masterfully articulated and vividly plotted. I have been told that at times a “critical” review, if honest, can help other readers to evaluate a story realistically; this is my best effort at such a review.
14 of 15 people found the following review helpful.
Dark, explicit
By Lynn Benson
One thing I THOROUGHLY enjoyed about the writer's style was the ability to hear the characters voice, to get inside their heads. He captured the humanness of them all. A lead character kept dwelling on a past relationship. Thoughts to herself, comments. And the killers, boy, with all the repetition of thoughts and actions - the reader was able to really look inside of the characters. We're human -- you know when something bothers us, we think on it over and over and can't get something out of our heads? It wasn't conveyed in those types of words, it was conveyed in paragraphs over and over throughout the book. Exactly like you and I would do. Carry on, but still dwelling. It was an interesting way to write, and I wish more authors could manage it without making a book be 1000 pages.
Biggest downside of this book? Not a single main character was likable until the end of the book. Sure, things about them were likable, but overall he painted dark pictures of everyone. Showed us their (insert negative word here) sides.
I'm not necessarily a serial killer story reader, but I like cop books without so much gore. Some of it was shocking, very disturbing. Go into this book knowing it will be a hard read if you have any delicate sensibilities. I found myself grazing past a paragraph here or there, to be honest. I don't need explicit to get the idea. Personal preference for me only.
As far as pace -- it depends on who you're reading about. There are a lot of stories going on at one time in this book, and it's kind of maddening to read about one story and then to have to get through other chapters before returning to the characters/story that excites you the most!
Not a lot of happy in this book.
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